The title of these works, Spiderballs, is a neologism invented by Francesca Pasquali to describe an everyday object – in this case a simple household implement used to remove cobwebs – assembled to compose artworks for walls or, above all, large-scale environmental installations. With their vibrant colours and strong impact, they inhabit, invade and attack the space with their multifarious excessive presence, as extravagant as an explosion of energy. If the origin of Bristles lies in the collapse of Modernism, in this work, a plastic paradox plays the principal role: cobweb dusters are designed to create order and cleanliness; in a Duchamp-style reversal, they are transformed into Spiderballs, becoming huge inhabitants, space invaders, a chaotic multi-coloured presence that transforms the walls and ceilings of buildings with an extraordinary vital tension and driving force, charged with physical belligerence and site-specific sensuality.